- 131
Francesco Guardi
Estimate
10,000 - 15,000 EUR
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Description
- Francesco Guardi
- Recto Vue de la façade de Saint-Marc depuis l'arcade de la tour de l'horloge ; Verso Croquis de différents bâtiments au bord d'un lac et un bateau
- Inscrit au verso à la plume et encre brune di nicciera
- Plume et encre brune (recto et verso) et lavis bruns, parfois postérieurs
- 241 x 193 mm ; 9 1/2 by 7 1/2 in
Provenance
Vente Anonyme, Paris, 14 Novembre 1919, n°22;
Vente Anonyme, Paris, 14 Decembre 1949 (d'après une annotation sur le montage)
Vente Anonyme, Paris, 14 Decembre 1949 (d'après une annotation sur le montage)
Condition
Hinged along the top margin. On the recto the gray- brown wash has been added later, including on the two figures in the foreground, and possibly also some of the brown wash. The paper is slightly buckled. There is a pin point hole at the top to the right, on the last pinnacle of St. Marc. A few gray and brown stains along the margins. Some light brown staining on the verso on the upper part and lower left. Some of the wash from the recto is visible on the verso. Sold in a fine Louis XIII, carved and gilded frame.
Accroché par le bord supérieur. Au recto, le lavis gris-brun a été ajouté ultérieurement, et aussi dans les deux personnages du premier plan. Le papier est légèrement ondulé. Il y a un petit trou d'épingle en haut sur la droite. Quelques taches brunes sur le verso dans la partie supérieure et en bas à gauche. Quelques lavis du recto sont visibles au verso.
Vendu dans un beau cadre Louis XIII sculpté, doré.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
This attractive view, possibly from life, is enclosed by the archway of the Torre dell'Orologio, looking towards St. Mark, the Ducal Palace, and the Piazzetta, with in the distance the church of St. Giorgio Maggiore. It appears, that although Guardi did a number of paintings from the opposite side, therefore from the Piazzetta looking towards the Torre dell'Orologio, he has never painted this absolutely fascinating view. This appears also to be the only known drawing of the subject. Stylistically recto and verso seem to be late drawings by the artist. A similar view to the recto of the present sheet, although with the archway exactly framing the view towards St. Mark, was painted by Canaletto and this painting is now in the Fitzwilliam Museum in Cambridge.1 The verso, a quick sketch, executed solely in pen and ink, does not relate to any known paintings or drawings, and the mountainous view, with a lake is not identifiable .
1. Cambridge, Fitzwilliam Museum, inv. no II.193; W. G. Constable and J.G. Links, Canaletto, 2nd. ed. Oxford 1976, vol. II, p. 206, no 47, reproduced vol. I, pl. 19