Lot 301
  • 301

Nikolai Mikhailovich Romadin

Estimate
18,000 - 25,000 GBP
bidding is closed

Description

  • Nikolai Mikhailovich Romadin
  • New Year's Night
  • signed in Cyrillic and dated 1968 l.r.; further signed, titled and dated 1970 on the reverse and bearing Gekkoso labels on the frame and backing board
  • oil on board
  • 66.5 by 86cm, 26 1/4 by 33 3/4 in.

Provenance

Gekkoso Gallery, Tokyo

Condition

The board has bowed and the edges are worn, the top layer has abraded in places. There are small losses and creases to each of the lower corners. There is a layer of surface dirt and the varnish has discoloured. Inspection under UV light reveals no apparent signs of restoration. Held in a gilt wooden frame with swept corners and plaster moulding. Unexamined out of frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Yoko Nakamura, the director of Gekkoso Gallery, first visited the Soviet Union in 1969 convinced that the country’s art must be worth exploring. ‘The music, literature and theatre of the Soviet Union are all excellent. There cannot be poor painting in a country where the arts are so highly developed.’ A year later the gallery held the first selling exhibition of Soviet art in Japan, these continued annually for over ten years and visited Tokyo, Osaka and Sapporo. Nakamura was involved in numerous enterprises to promote the Soviet Union in Japan. She published a quarterly art magazine in Japan in association with the Ministry of Culture and the Union of Artists of the USSR, and organised a huge retrospective of Soviet and Russian Painting which included over 600 works from the State Tretyakov Gallery, including Ivan Shishkin's Rye Fields and Tair Salakhov's Portrait of Aidan.