- 365
Sonia Delaunay-Terk
Estimate
30,000 - 40,000 EUR
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Description
- Sonia Delaunay-Terk
- Projet pour un plafond à l'Exposition Internationale "Arts et Techniques", Paris, 1937
- signed Sonia Delaunay and dated 1937 (lower left)
- gouache on transfer paper laid down on cardboard
- 51 x 45,6 cm; 20 x 18 in.
Provenance
Jacques Damase, Paris
Private collection, France
Private collection, France
Exhibited
Cologne, Galerie Gmurzynska, Retrospective on the occasion of her 90th birthday, 1975, no. 45, illustrated in the catalogue p. 33
Brussels, Jacques Damase Gallery, Hommage à Sonia Delaunay pour son quatre-vingt dixième anniversaire, 1975, illustrated in the catalogue p. 82
Les Sables d'Olonne, Musée de l'Abbaye Sainte Croix, Collection Jacques Damase, 1979, illustrated in the catalogue p. 13
Paris, Musée d'Art Moderne de la Ville de Paris, Robert-Sonia Delaunay, 1985, no. 287, illustrated in the catalogue p. 265
Brussels, Jacques Damase Gallery, Hommage à Sonia Delaunay pour son quatre-vingt dixième anniversaire, 1975, illustrated in the catalogue p. 82
Les Sables d'Olonne, Musée de l'Abbaye Sainte Croix, Collection Jacques Damase, 1979, illustrated in the catalogue p. 13
Paris, Musée d'Art Moderne de la Ville de Paris, Robert-Sonia Delaunay, 1985, no. 287, illustrated in the catalogue p. 265
Literature
Jacques Damase, Sonia Delaunay, Rythmes et couleurs, London, 1972, illustrated p. 248
Arthur Allen Cohen, Sonia Delaunay, 1975, no. 174, illustrated n.p.
BolaffiArte, février 1980, reproduit en couverture
Bernard Dorival, Sonia Delaunay, sa vie, son œuvre 1885-1979, Paris, 1980, illustrated p. 107
Stanley Baron, Sonia Delaunay, sa vie, son oeuvre 1885-1979, Paris, 1995, no. 58, illustrated p. 110
Arthur Allen Cohen, Sonia Delaunay, 1975, no. 174, illustrated n.p.
BolaffiArte, février 1980, reproduit en couverture
Bernard Dorival, Sonia Delaunay, sa vie, son œuvre 1885-1979, Paris, 1980, illustrated p. 107
Stanley Baron, Sonia Delaunay, sa vie, son oeuvre 1885-1979, Paris, 1995, no. 58, illustrated p. 110
Condition
Executed on transfer paper, laid down on card, taped to the overmount along the upper edge. There is a number of flattened creases consistent with the mounting process. There is paint shrinkage in the dark green pigment and scattered losses throughout .There is some abrasion to the lower part of the left edge of the artist's mount. This work is fairly good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."