Lot 107
  • 107

Childe Hassam

Estimate
250,000 - 350,000 USD
bidding is closed

Description

  • Childe Hassam
  • In the Park
  • signed Childe Hassam (lower left)
  • oil on panel
  • 9 1/4 by 13 inches
  • (23.5 by 33 cm)
  • Painted circa 1889-90.

Provenance

Private collection, Bonn, Germany

Condition

This work is in very good condition. Under UV: there is one possible dot of inpainting along the rim of the fountain at center right, otherwise fine.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

The success of Childe Hassam’s metropolitan views from the late nineteenth century stems from his observation of the vitality of city life and his Impressionist manner of composition, color, light and atmosphere. His park scenes in particular were depictions of pastoral retreats from the harsh realities of urban life, whether in New York, Boston or Paris. Urban parks were created as a much-needed escape for a population that was suffering under the burden of rapid industrialization. Hassam’s In the Park illustrates his commitment to Impressionism and extols the beauty and sanctuary of a constructed oasis amidst the chaos of a changing world.

Painted circa 1889-90, In the Park belongs to one of the most formative periods of Hassam’s career, following his three-year stay in Paris. At this time, the artist’s interest remained primarily rooted in scenes in everyday urban living. His catalogue of subjects represented a cross-section of city life, ranging from shopkeepers and street vendors to members of the upper class. In the present work, Hassam utilizes varied brushwork and a palette of jewel tones to convey the leisurely activities of the well-dressed upper class, and ultimately captures an idyllic and quiet moment within a frantic urban environment.