Edouard Houssin

Overall the condition of the marble is very good, with minor dirt and wear to the surface consistent with age. There is some very slight veining to the marble, consistent with the material, including white veins to the woman's abdomen and thighs. There are a few very minor chips and abrasions to the pedestal on which the woman is seated. There are some further chips to the bottom edge of the terrasse. There is minor general wear to the red marble base, including some chips and light scratches.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Born in Douai, Houssin was a pupil of Jouffroy and Aimé Millet. From 1873 he began to exhibit at the Paris Salon, where he was awarded medals in 1887 and 1889. His commissions were largely centred around his native northern France and included a number of monuments, as well as several figures in the Douai Museum.

This sensuous marble showcases the sculptor's Romantic interpretation of mythological subjects. Leaning back in ecstasy as she feels the soft feathers of the gently advancing swan behind her, Leda appears gladly receptive to Jupiter's seduction.