Lot 22
  • 22

Pasquale Romanelli

Estimate
25,000 - 35,000 GBP
bidding is closed

Description

  • Pasquale Romanelli
  • Cleopatra
  • signed: Prof P. Romanelli / Firenze
  • white marble, on a serpentine column

Provenance

Sotheby's London, 2 June 2010, lot 72

Condition

Overall the condition of the marble is very good with minor dirt and wear to the surface consistent with age. There are some original small round plugs under the chin. There is a possible restored break to the lower left section of the headdress and earring. There are a few very minor abrasions to the edges of some of the drapery, and to the edges of the terrasse. There are a few dirt marks to the drapery at the back. There is a small chip above the signature at the drapery at the back. The column is composed in sections, there are minor chips and abrasions to the edges, and some scratches to the tops. There is particular veining to the column by the emblem.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

The barge she sat in, like a burnished throne,
Burned on the water; the poop was beaten gold,
Purple the sails, and so perfumed, that
The winds were love-sick with them, the oars were silver,
Which to the tune of flutes kept stroke, and made
The water which they beat to follow faster,
As amorous of their strokes. For her own person,
It beggared all description; she did lie
In her pavilion, cloth-of-gold of tissue,
O'er picturing that Venus where we see
The fancy outwork nature; on each side her
Stood pretty-dimpled boys, like smiling Cupids,
With divers coloured fans, whose wind did seem
To glow the delicate cheeks which they did cool,
And what they undid did.

William Shakespeare (1564-1616), Antony and Cleopatra, Act II, Scene II