Enoch Wood

Overall, the condition of the bust is very good, with minor dirt and wear to the surface consistent with age. Much of the original polychromy survives. There is, however, wear to the polychromy, in particular to the jacket and especially the lapels. There are some losses to the polychromy at the edges of the bust and the socle. Much of the polychromy at the back to the collar is lost and there is particular wear to the top of the head. there are a few small chips, in particular to the edges of the socle. There are some water marks to the front of the socle. There are some abrasions to the surface, such as above the word 'Enoch' and various other minor scratches, including to the back of the socle. There are a few scratches to the waistcoat. There is craquelure to the paint, in particular to the face. There may be some minor restorations to the paint at the eyelids. The bust appears to have been cast in two principle sections, a slightly visible joint runs through the shoulders and up the head.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

A member of the prestigious Wood family of Staffordshire potters, Enoch Wood (1759-1840) apprenticed with Wedgewood before establishing himself as an independent potter in Burslem. This rare portrait bust was modelled by Enoch Wood himself and represents a vibrant testament to his professional legacy. A biscuit version is in the British Museum (inv. no. 1959,1201.1).