French, 19th century

Overall the condition of the marble is very good, with minor dirt and wear to the surface consistent with age. The proper left hand appears to have been reattached; the joints are well-concealed. There is some light veining to the marble consistent with the material. There are a few small naturally occurring inclusions, including to the chest. There are some minor chips to the edges of the base and to one of the toes. There is one larger chip to the bottom edge of the base at the back.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This sensual depiction of Pandora differs from the more static Neoclassical representations often seen in the 19th century, such as John Gibson's version in the Victoria and Albert Museum (inv. no. A.3-1922). The complex vertical folds of drapery in the present marble highlight the skill of the sculptor. Compare the drapery of a Pandora by James Pradier, sold at Sotheby's London, 25 November 2009, lot 9.