Victor Joseph Ségoffin

Overall the condition of the plaster is very good, with minor dirt and wear to the surface consistent with age. The plaster is cast in sections, and casting joints are visible, in particular along the arms and legs, and across the buttocks. There are a few very minor scratches and abrasions, including one to the back of the proper left thigh. There are a few small chips and abrasions to the terrasse. There are a few small nicks to the proper left leg. The paint has chipped in a few areas, including at the proper right leg and foot, and in a few small areas on the terrasse.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This very beautiful plaster by Ségoffin recalls in its elegant pose and sketchy quality Edgar Degas' celebrated pastels of ballet dancers. Ségoffin was born in Toulouse and studied in Paris under Pierre Jules Cavalier, as well as Louis Ernest Barrias, who was a strong influence, at the École des Beaux-Arts. He debuted at the Salon in 1890 and won the Grand Prix de Rome in 1897.