Albert-Ernest Carrier-Belleuse

Overall the condition of the bronze is good, with minor dirt and wear to the surface consistent with age. There is a small hole to the body of the hog, in front of Diana's feet; this may have supported a now-lost attribute. There is minor dark spotting to the patina in several areas. There are a few further small dark marks on the underside of her breast on the proper right side, on her proper right shoulder and on her proper left elbow. The strap of the quiver was cast in sections and joints are visible on the reverse. A small rectangular casting patch is slightly visible at Diana's proper right upper arm. There are a few very minor scratches, including to the proper left shoulder. The marble base is in a good condition with some minor chips on the edges.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The Diane Victorieuse, first exhibited at the Salon in plaster in 1885, is Carrier-Belleuse's last masterpiece. The marble and bronze versions date to 1887, the year of his death. The fineness of texture and the quality of the modelling all show Carrier-Belleuse at his technical and decorative best. 

RELATED LITERATURE
J. Hargrove, The Life and work of Albert Carrier Belleuse, New York, 1977, pp. 60-61, fig. 21