After a model by Adriaen de Vries (circa 1556-1626) French, 19th century

Overall, the condition of the bronze is good, with dirt and wear to the surface consistent with age. There is wear to the patina, particularly at Deianira's neck and chest, and to Nessus's back haunches and legs. There are dark patches to the patina, in particular to Deianira's neck and chest. There are some minor scratches to her proper right forearm and proper right thigh. There is particular wear to Hercules's back. There are a few minor scratches elsewhere. The bronze is made in sections, and stable original joints are visible in areas, including to the top of Deianira's proper left arm. There is some dryness to the patina at Nessus's back. There are some residues to Deianira's legs. There is some minor greening to some of the crevices. There are two small holes to the base, and one or two original plugs
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This spiralling bronze is cast after an original model by Adriaen the Vries, the Northern Mannerist sculptor famous for his dynamic models. A gift of Louis XIV to the Grand Dauphin, it is now in the Louvre (inv. no. OA5424). De Vries was active in several European cities including Milan, Prague and Augsburg, but he began his career in the studio of Giambologna. Giambologna's influence is visible in the present group; compare his famous group of the Rape of a Sabine.