James Ensor

Etching, 1888, signed and dated in pencil, countersigned in pencil verso, on simili japon; with T. 78 etching, 1889, the second (final) state, signed and dated in pencil, titled, countersigned in pencil verso, on simili japon; and T. 116 etching, 1899, the third (final) state, signed and dated in pencil, on wove paper

T. 62 and 78 ex coll. G. Behaegel, Pittem (not in Lugt)

T. 116 ex coll. Loys-Henry Delteil, Paris (L. 773)

Le Denier de Cesar (T. 62) - With wide margins, in good condition apart from thin bands of skinning and pale discolouration at the upper sheet corners (the right corner with a tiny loss), a rubbed area in the lower right margin, unframed. Triomphe Romain (T. 78) - With wide margins, in good condition apart from two tape stains in the upper margin, a thin tape remain in the centre of the upper sheet edge verso, unframed. La Reine Parysatis (T. 116) - With wide margins, in good condition apart from remains of adhesive along the upper sheet edge, very pale mount-staining, the tip of the lower left sheet corner softened, traces of soiling in the margins and verso, unframed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."