Alexander Mikhailovich Rodchenko

ferrotyped, titled in Cyrillic, dated '1925' and '1927,' and with numerical notations, possibly by the photographer’s daughter, Varvara Rodchenko, in pencil and with her collection stamp on the reverse, 1925, printed later (MoMA, Rodchenko, pl. 226; Levrantiev, p. 114)

Originally in the collection of Leonid Volkov-Lannit

This ferrotyped print is in generally very good to excellent condition. As is typical of the ferrotyping process, superficial scuffing, pitting, and a slight unevenness of the generally glossy surface are visible upon close inspection. There are a few very small soft handling creases that are visible only in raking light. Some surface scratches are also visible upon close inspection, primarily in the upper portion of the print. The corners of the thin margins are bumped and creased, with minor attendant chipping. The reverse is faintly soiled. When examined under ultraviolet light, this print appears to fluoresce.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

This photograph and those in Lots 95 and 98 come originally from the collection of Leonid Volkov-Lannit, writer, photography historian, and friend of Rodchenko.  In 1968, Volkov-Lannit published the first significant monograph on the photographer, Aleksandr Rodchenko. Risuet, fotografiruet, sporit.