Ansel Adams

mounted, signed in pencil on the mount, a Carmel studio stamp, with title and date in ink, on the reverse, 1941, printed in 1980

Ansel Adams (Morgan & Morgan, 1972), pl. 63

James Alinder and John Szarkowski, Ansel Adams: Classic Images (Boston, 1985), pl. 32

Andrea G. Stillman, ed., Ansel Adams: The Grand Canyon and the Southwest (Boston, 2000), frontispiece

John Szarkowski, Ansel Adams at 100 (San Francisco Museum of Modern Art, 2001), pl. 96

Ansel Adams, Examples: The Making of 40 Photographs (Boston, 2002), p. 40

Karen E. Haas and Rebecca A. Senf, Ansel Adams in the Lane Collection (Museum of Fine Arts, Boston, 2005), pl. 37

Andrea G. Stillman, Ansel Adams: 400 Photographs (Boston, 2007), p. 175

This print is in generally excellent condition. The upper right corner is ever so slightly bumped. There is some very light soiling on the reverse of the mount. Although Karen Haas's and Rebecca Senf's book, 'Ansel Adams in the Lane Collection,' publishes the most comprehensive list to date of the studio stamps and labels Adams used throughout his career, the Carmel studio stamp on the reverse of the present mount is not included. The stamp, similar to BMFA 11, but with the zip code '93923,' is dated with both the negative and printing dates (in this case, 1941 and 1980, respectively) in an unidentified hand in ink.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
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