Lot 551
  • 551

Wang Jinsong

Estimate
80,000 - 120,000 HKD
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Description

  • Wang Jinsong
  • Landscape No. 11
  • ink on paper, framed
  • 2008
signed WANG JINSONG, titled, dated 2008, and with one seal of the artist

Literature

Kuo, Jason C., Chinese Ink Painting Now, Distributed Art Publishers, New York, USA; Timezone 8, Hong Kong, China, 2010, p.165

Condition

Overall in very good condition. Framed size: 114.3 x 86.4 cm; 45 x 34 in.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Born in Harbin in 1963, Wang Jinsong is a leading contemporary Chinese artist whose artistic explorations over the past three decades include ink painting, oil painting, installation, photography and video art. A graduate from the Chinese painting department at the Zhejiang Academy of Fine Arts in Hangzhou, Wang is most familiar with the medium of ink, even though his earliest oil paintings were recognized at the forefront of China’s Cynical Realism and Political Pop art movements. Wang’s works have been exhibited extensively around the world as part of breakout exhibitions of contemporary Chinese art, such as China Avant-Garde: Counter-Currents in Art and Culture (1993), China’s New Art Post 1989 (1993), and Inside Out: New Chinese Art (1998).  

With the same exaggerated humour that he approaches his works in other mediums (filled with meaning-laden symbols and images) Wang actively attempts to liberate ink painting from the burden of its historical legacy. Wang views ink as a medium that can record time and his resulting figures and landscapes are intended to reveal the passage of time. Moreover, Wang views ink is a tool, a symbol of a history and culture (in China particularly), and a unique language. Here in his Landscapes (Lots 550 & 551), Wang directly challenges the rules and forms that underlie Chinese landscape paintings. The seal and signature take a prominent position in the composition and both the distinct horizon line and central perspective are a direct contrast to the guiding principles of traditional painting in China.