Lot 165
  • 165

Francesco Cozza

Estimate
15,000 - 20,000 GBP
Log in to view results
bidding is closed

Description

  • Francesco Cozza
  • The Ecstasy of Saint Francis
  • oil on canvas

Provenance

In the collection of the family of the present owner for three generations.

Condition

The canvas has been relined, but this has not overly flattened the paint surface, and areas of impasto, such as in the angel's wings, are well-preserved. The paint surface is relatively clean and the varnish is only slightly discoloured. Some of the darks, such as in the river and the landscape, left, have been somewhat abraded. Inspection under ultraviolet light reveals retouching along all four margins. Other significant areas of restoration are: a patch in the putto's left foot, measuring approx. 3 by 9 cm.; in the angel's right wrist, measuring approx. 6 by 5 cm.; as well as smaller areas in the lower right corner, the saint's right knee, through the face and torso of the putto, scattered throughout the sky, and in the angel's left leg. In overall good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

We are grateful to Dr. Erich Schleier for confirming the attribution to Francesco Cozza on the basis of photographs. Describing this canvas as 'un quadro strepitoso', Dr. Schleier notes that, in particular, the faces of the flying cherub and the modelling of the saint's leg in a cool light are especially typical of the artist.