Northern Italian, probably Venice, 16th century

Overall the condition of the bronze is good, with minor dirt and wear to the surface consistent with age. There is some minor greening to the lacquer patina in a few areas, and some dryness and dirt in the crevices around the handles. There are a few small lacunae, consistent with casting practice. There is an original stable casting fissure to the foot. There is some rubbing to the modelling at the high points, in particular to one of the lions' snout, which appears reddish in colour. There are a few nicks and dents, notably around the upper rim.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

A bronze vase, or mortar, of a similar shape is at the Victoria and Albert Museum (inv. no. M.670-1910).

RELATED LITERATURE
P. Motture, Bells & Mortars and related utensils, cat. Victoria and Albert Museum, London, 2001, pp. 174-175, no. 56