Affandi

Sotheby's Hong Kong, October 6, 2013, Lot 467

The work is in good condition overall, as is the canvas, which is clear and taut. There is light wear and handling around the edges of the painting. Under ultraviolet light inspection reveals restoration predominantly on the aqua impastos (located in the middle right, lower right and upper left margins) and a minor touch up on the "A" of the signature. Examination was conducted under the frame. Framed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

In Pasar Festival (Festival Market), Affandi effectively captures the exuberance and energy of a crowded market. He fills in the composition of the painting with groups of people, layers of colourful umbrellas, flowers, fruits, animals – essentially all the hallmarks of local community life as the village dwellers come out to celebrate in full regalia and vibrancy. The village narrative is overflowing with bustling activities. As per the artist’s approach to painting, the brushstrokes and composition of the work echo the joyful emotions of the people who have come out to share in each other’s company.

Affandi is known for his expressionistic style that elevated the act of painting to an intuitive practice and visceral exploration of reality that he captured on the canvas. The technique of squeezing paint directly from the tube allows for adequate supply of paint and it enables the artist to create a lot of lines on the canvas. The result was that the lines could create a greater distinction and contrast between subjects, separating objects from one another as well as from the background. Hence, the lines are given a life of their own, depicting dynamic movements and complex textures. The use of paint squeezing in Pasar Festival accentuates the air of spontaneity taking place at the festival. The artist’s signature style of using his hands and fingers to smear paint across the canvas further preserves the enthusiasm that resonates amongst the festival goers themselves. Fireworks, small explosions of color including reds, blues, greens and yellows command the pictorial space from every direction. Amongst the swift swirls and fluid strokes is a kinetic force reviving the painting to life, while simultaneously transporting viewings back to the rapture of that festival market.