Antonio Zucchi

Laid down on card which has in turn been partially adhered to a mount. The sheet has very slightly discolored and there are areas of light abrasion to the surface throughout. There is evidence of some small stains to the center of the left edge and light surface dirt throughout. The white heightening has partially oxidized in places, however the medium remains predominantly strong throughout this impressive sheet. Sold in a giltwood frame.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Born and trained in Venice, Zucchi met James Adam, brother of the Scottish architect Robert Adam, in 1761 and travelled with him to Rome, where he spent a year.  He returned to Venice, but in 1766 accepted Robert Adam's invitation to come to England, where he became the Adam brothers' chief decorative painter, supplying wall and ceiling roundels and panels for houses such as Syon near Isleworth, and Home House, Portman Square, London.  He became an Associate of the Royal Academy in 1770, exhibiting mainly architectural subjects there until 1779.  In 1781 he married Angelica Kauffmann, who had also worked for the Adams, and the couple then returned to Italy.