Lot 9
  • 9

Bridget Riley

Estimate
15,000 - 25,000 GBP
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Description

  • Bridget Riley
  • November 16, Bassacs
  • signed, titled and dated '87
  • gouache and pencil
  • 18 by 25.5cm.; 7 by 10in.

Provenance

Mayor Rowan Gallery, London
David Grob Fine Art, London
Sale, Sotheby's London, 22nd October 2002, lot 475, where acquired by the previous owner
Their sale, Christie's South Kensington, 17th March 2016, lot 74, where acquired by the present owner

Condition

Not examined out of the frame. The sheet appears to be affixed to the mount at each of the four corners, but does not appear to be laid down. There is some very light staining to the sheet towards the edges of the sheet. Subject to the above, the work appears to be in excellent overall condition, with bold, vivid colours throughout. The work is floated within a window mount and presented in a simple painted wooden frame, held under glass. Please telephone the department on +44 (0) 207 293 6424 if you have any questions regarding the present work.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

'I try to absorb sensations without censoring them, without identifying them. I want them to come out through the pores of my eyes, as it were – on a particular level of their own.'

(The Artist, Bridget Riley, Dialogues on Art, Zwemmer, London, 1995, pp. 79-80)