Lot 34
  • 34

Grayson Perry, R.A., C.B.E.

Estimate
15,000 - 25,000 GBP
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Description

  • Grayson Perry, R.A., C.B.E.
  • Essex 2086
  • impressed with Artist's seals and titled
  • glazed earthenware
  • 84 by 70cm.; 33 by 27½in.
  • Executed in 1986.

Provenance

Birch & Conran, London, where acquired by the present owner in 1990

Exhibited

London, Birch & Conran, Grayson Perry Ceramics, 1990.

Condition

The work is formed of 30 tiles mounted within a white wooden frame. The tiles are uneven in shape and execution in keeping with the artist's early style of working. There are areas where the glaze has not fully taken to the earthenware body, visible to some of the extreme edges and to some of the deliberately distressed areas, most notably the bottom right hand corner. These appear stable in their current state. There are further traces of minor surface dirt and matter, but this excepting the work appears in very good overall original condition. Please contact the department on +44 (0) 207 293 6424 with any questions regarding the present work.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

We are grateful to the Artist for his kind assistance with the cataloguing of the present work.

‘A desire to make things and express oneself can lead people to end up working in this strange world of contemporary art.’

(Grayson Perry, Playing to the Gallery, Particular Books, London, 2014, p.41)