- 109
Ernesto Icaza (1866-1935)
Estimate
100,000 - 150,000 USD
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Description
- Ernesto Icaza
- Five works: Primera silla, Sacando a la caballada, Lazar las yeguas, Cazando al toro a campo abierto, Jineteo de yegua
- signed and dated 1914 lower right; signed and dated 1911 lower left; signed and dated 1914 lower left; signed and dated 1915 lower right; signed and dated 1917 lower left
- oil on wood; oil on canvas; oil on board; oil on canvas; oil on canvas;
- 9 3/4 by 17 1/4 in.; 11 3/4 by 19 1/4 in.; 18 by 24 1/2 in.; 11 by 14 1/2 in.; 11 3/4 by 18 in.
- 25 by 44 cm; 30 by 49 cm; 46 by 62 cm; 28 by 37 cm; 30 by 46 cm
Provenance
Acquired from the artist
Galerías Cristobal, Mexico City
Acquired from the above by the present owner
Galerías Cristobal, Mexico City
Acquired from the above by the present owner
Literature
Lupina Lara Elizondo, Costumbrismo Mexicano: Edgar Degas, Ernesto Icaza, Mexico City, 2012
Condition
Primera silla:
Bueno en general. Pérdida de capa pictórica en la zona de rostro del personaje de la izquierda y en las patas de la yegua, así como en la zona de la firma (ángulo inferior derecho).
The work is in good condition overall. Small isolated areas of loss are visible in the face of the figure on the left side and on the hooves of the mare, as well as in the lower right corner near the signature.
Sacando a la caballada:
Bueno en general. Presenta pequeños faltantes de capa pictórica, algunas restauraciones y pequeñas arrugas de origen relacionadas al soporte utilizado, en zona superior izquierda.
This work is in good condition overall. It presents a few small scattered losses and areas of inpainting. There is also an area of faint ripples in the upper left quadrant, which are inherent to the support utilized by the artist.
Lazar las yeguas:
Bueno en general. Presenta marcas de bastidor en los bordes. Requiere limpieza.
This work is in good condition overall. Light soiling is present, as well as light frame abrasion at the extreme edges of the canvas.
Cazando al toro a campo abierto:
Muy bueno en general. Ligero amarillamiento debido a oxidación del barniz.
This work is in very good condition overall. Light yellowing is present due to oxidation of the varnish.
Jineteo de yegua:
Bueno en general. Presenta pequeñas manchas en general y marcas de bastidor en los bordes.
This work is in good condition overall. It presents small scattered accretions and light frame abrasion at the extreme edges.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
These paintings are currently in Mexico. Accordingly, they are offered for sale in New York from the catalogue and will not be available in New York for inspection or delivery. The works will be released to the purchaser in Mexico in compliance with all local requirements. Prospective buyers may contact Sotheby’s representatives in Mexico City and Monterrey for an appointment to view the works.