- 6
Sean O'Sullivan, R.H.A.
Description
- Sean O'Sullivan, R.H.A.
- Portrait of Éamon de Valera
- signed, dated and inscribed l.r.: Seán O'Sullivan./ 1928/ Éamon de Valéra
- coloured chalks
- 38 by 24.5cm., 15 by 9¾in.
Provenance
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
He is regarded by many as the father of the modern Irish state, whilst others have criticised the way in which the militant republicanism of his early political career was supplanted by cultural conservativism and a degree of national isolationism. However, there is no doubt that he was a very great 20th century political figure, and that he played a truly significant part in the creation and development of the long awaited independent Irish state.
This evocative head study by Seán O’Sullivan shows de Valera, aged 46, in mid-thought, perhaps contemplating the destiny of his newly created Fianna Fáil party, which secured electoral victory in 1932 and came to dominate the Irish political landscape. In contrast to de Valera's own well established political prominence, by the time of the present work O'Sullivan's career was just in its ascendancy. It was in 1928 that the artist became the youngest ever associate member of the Royal Hibernian Academy at the age of 22, later being elected an Academician in 1931. This study is typical of the artist’s proficiency at capturing life, as seen in contemporary portraits of leading Irish figures such as Douglas Hyde, W.B. Yeats and James Joyce.