Lot 307
  • 307

Diego Giacometti

Estimate
150,000 - 250,000 USD
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Description

  • Diego Giacometti
  • Piédestal aux chiens
  • Stamped Diego and inscribed with the artist's monogram 
  • Bronze
  • 38 by 12 3/4 by 12 5/8 in.
  • 96.5 by 32.3 by 32 cm

Provenance

Comte Gianni Barresi & Fulvio Barresi, Italy (acquired directly from the artist in the late 1960s)
Thence by descent 

Condition

This work is in very good condition. There is a dark brown patina. There are small spots of accretion and plaster residue in a few crevices. There are a few nicks to the edge of tile.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

Diego Giacometti's innovative approach to design and craftsmanship made him one of the most celebrated and sought-after artists in Post-War Paris.  By sculpting his works in clay or plaster, he was able to achieve an impressive level of detail in his playful renderings of animals, with irregular surfaces and fingerprints revealing the artist's process and achieved elasticity. This extremely rare work featuring the artist's iconic canines combines dynamic figural ornamentation with naturalism of subject and medium. Celebrating the animals which brought him joy as a child and throughout his lifetime, Giacometti gracefully creates linearity of form in a way that bridges sculpture with furniture.

The present work was acquired directly from Diego Giacometti at his studio by Comte Gianni Barresi and Fulvio Barresi in the late 1960s and has remained has remained in the family’s collection since that time. It is believed that this piece is unique.