Lot 144
  • 144

Albert Gleizes

Estimate
45,000 - 60,000 GBP
Log in to view results
bidding is closed

Description

  • Albert Gleizes
  • Untitled
  • signed Albert Gleizes and dated 1920 (lower right)
  • oil on canvas
  • 99.3 by 73.5cm.,39 by 28 7/8 in.

Provenance

Arturo Ciacelli, Rome
Private Collection, Rome
Acquired from the above by the present owner in the 1990s

Condition

The canvas is not lined. UV light examination reveals a spot of retouching to the upper right quadrant (approx. 2cm. wide). There are a few very minor flecks of paint loss in places, predominantly to the white pigment, and some fine lines of craquelure. There is a small spot of pigment lifting to the yellow pigment towards the centre of the left edge and a small dent to the pink pigment in the upper right quadrant. There is a small repaired tear visible at the edge of the dark blue pigment towards the upper right corner. This work is in overall good condition and might benefit from a light clean.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

The first known owner of this work, Arturo Ciacelli, was an Italian painter active in Italy, France and Sweden. He was living in Paris in 1911 where he frequented fellow Futurist painters, and spent the most part of his life in Sweden married to the painter Elsa Ström. From 1915 to 1920 he was the director of the Nya Konstgalleriet, the first modern art gallery in Stockholm.