Lot 103
  • 103

Pierre Bonnard

Estimate
60,000 - 80,000 GBP
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Description

  • Pierre Bonnard
  • Bords de Seine or Paysage ensoleillé
  • signed Bonnard (lower right)
  • oil on canvas
  • 45.8 by 47.3cm., 18 by 18 5/8 in.

Provenance

Galerie Bernheim-Jeune, Paris (acquired directly from the artist in 1921)
Albert Henraux, Paris
Galerie Neupert, Zurich
Dr Alfred Reinhardt, Solothurn (acquired from the above on 13th March 1941)
Thence by descent to the present owners

Exhibited

Paris, Galerie E. Druet, Exposition de 25 peintres contemporains, 1925, no. 10

Literature

Jean & Henry Dauberville, Bonnard, Catalogue raisonné de l'œuvre peint 1920-1939, Paris, 1973, vol. III, no. 1064, illustrated p. 82

Condition

The canvas is not lined. UV examination reveals a tiny spot of retouching in the upper right quadrant associated with a fleck of paint loss. There are a few very fine lines of stable craquelure in places. Otherwise, this work is in very good overall condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

'With the exception of Vuillard, no painter of his generation was to endow his technique with so much sensual delight, so much feeling for the indefinable texture of paint, so much vibration. His paintings are covered with colour applied with a delicate voluptuousness that confers to the pigment a life of its own and treats every single stroke like a clear note of a symphony.'
(John Rewald in Pierre Bonnard (exhibition catalogue), The Museum of Modern Art, New York, 1948, p. 48)