Émile-Jacques Ruhlmann

Private American Collection
Christie's New York, December 9, 2003, lot 95
Acquired from the above by the present owner

H.A. Martinie, "Le XVIIIe Salon des Artistes Décorateurs," Art et Décoration, June 1928, p. 189
Florence Camard, Ruhlmann, Paris, 1983, pp. 80 and 146
Emmanuel Bréon and Rosalind Pepall, Ruhlmann: un génie de l'Art Déco, Montréal, 2004, pp. 31 and 214
Emmanuel Bréon, Jacques-Émile Ruhlmann, mobilier, Paris, 2004, pp. 30-31 and 96-97
Emmanuel Bréon, Jacques-Émile Ruhlmann architecte d'intérieur, Paris, 2004, pp. 54 and 88
Florence Camard, Jacques Émile Ruhlmann, Paris, 2009, pp. 90, 156, 272, 329 and 474

Overall in very good condition. The silvered bronze surfaces are in good condition, showing gentle wear to finish, scattered minor discolorations and tarnishing consistent with the natural aging process of the metal and some light surface dirt to recessed areas, light surfaces scratches and a few minor abrasions consistent with age and gentle use. Minor cleaning product residue to the recessed portions of the design. The shades have been replaced in a manner that is consistent with the original. When viewed in person, the brown is slightly lighter than in the catalogue illustration. The shades with surface dirt and wear consistent with use. An extremely elegant design by Ruhlmann.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.