A RARE CARVED CINNABAR LACQUER CIRCULAR 'PEONY' BOX AND COVER MARK AND PERIOD OF YONGLE

of circular form, the cover well carved through the thick cinnabar lacquer to the yellow-ochre ground with three large flowering peony blooms detailed with frilly petals, all wreathed by budding blossoms and dense foliage, the sides of the box and cover similarly carved with further floral blooms interrupted by floral buds and leaves, the interior and recessed base lacquered dark brown, the base incised with a six-character reign mark

A private French collection, by repute.

The box and cover are in overall good condition with just typical age cracks, shrinkage and areas of retouching, including the flange of the box and a small C-shaped section on the interior.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Boxes were among the most popular items made in carved lacquer for the imperial court during the Yongle and Xuande reigns, but boxes of this size and design are very rare. Skilfully decorated on the cover with three blooming peonies among dense foliage against the yellow ochre ground, this box is notable for its deep carving which adds a greater sense of three-dimensionality.

A Yongle box similarly carved with three peony blooms in the National Palace Museum, Taipei, but much larger in size, is included in the exhibition Heguang ticai. Gugong zang qi/Carving the Subtle Radiance of Colors. Treasured Lacquerware in the National Palace Museum, Taipei, 2008, cat. no. 011, together with a Xuande example of large size and comparable design, cat. no. 012. See two other large boxes of similar design, dated to the early Ming dynasty, included in The Complete Collection of Treasures of the Palace Museum. Lacquer Wares of the Yuan and Ming Dynasties, Hong Kong, 2006, pls. 71 and 73.

Compare Yongle boxes of similar size and form, but carved on the cover with five peony blooms, such as one from the collection of H.M. King of Sweden, illustrated in Jan Wirgin, ‘Some Chinese Carved Lacquer of the Yuan and Ming Periods’, Bulletin of the Museum of Far Eastern Antiquities, no. 44, 1972, pl. 11, no. 14; and another from the Edward T. Chow Collection, included in the exhibition One Man’s Taste. Treasures from the Lakeside Pavilion, Galleries of the Baur Collection, Geneva, 1988, cat. no. L11, and sold in these rooms, 3rd May 1994, lot 278.