A pair of German decorative silver flagons, Hanau, late 19th Century

both cast in the form of grotesque birds decorated with heraldic motifs, equestrian battles scenes and other vignettes, struck with the post-1953 Dutch first-standard import mark

Both birds stand comfortable unaided. The marks are clear to the base of the tail on each. One of the hinged covers is quite loose. Slight trace of gilding to interior necks. Slightly messy construction in places, especially around both tail junctions. Also visible less so at other junctions. One lower wing junction with traces of verdigris and probable solder repair. The other with a small solder repair and split to lower wing terminal. Much of the aforementioned solder is probably in construction. The embossed decoration is very crisp and in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The present and following lot were inspired by an ancient porphyry vase, mounted as a bird, discovered and adapted by Abbot Suger of Saint-Denis (1081-1151). As well as an Abbot, Suger was a statesman, historian and one of the earliest patrons of Gothic architecture. He advised Louis VI and Louis VII and took a keen interest in adding to the treasure held by his abbey. It has been suggested that the vase, of ancient Roman or Egyptian origin, was chosen by Suger for its eagle form, with the eagle considered a symbol of Christ. The porphyry vase is one of the Saint-Denis treasures now held in the Department of Decorative Arts of the Middle Ages, the Louvre, Paris.