Italian, probably 14th Century

There is evidence of past worming, which has led to some losses, in particular around the base, to the back, the shoulders and the top of the head. The proper right fingers and thumb may be reattached and there could be further restorations to the hands. There may have been an attribute to the top of the chalice and there is evidence of losses here. There are restorations to the bottom and the feet may be restored. There are further restorations to the hair, including to the curls above the neck, and possibly also to the nose and sections of the face. There are various paint layers on the surface of the wood, which are flaked in areas and there is craquelure. There is a modern wax or varnish to the surface for stabilising the paint. There is a modern wood and metal support in the hollow back at the bottom. There are various small chips and losses, including to the edges of the drapery and the clasp. Otherwise, the condition is stable.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

RELATED LITERATURE
A. Frosini, Scultura lignea dipinta nella toscana medievale - Problemi e metodi di restauro, San Casciano, 2005, plates 5a, 5b, 54,55.