- 472
Antony Gormley
Estimate
300,000 - 400,000 USD
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Description
- Antony Gormley
- Present Time
- cast iron
- 134 5/8 by 75 1/2 by 13 3/4 in. 342 by 192 by 35 cm.
- Executed in 2001, this work is number 5 from an edition of 5.
Provenance
White Cube, London
Acquired from the above by the present owner
Acquired from the above by the present owner
Exhibited
Oxford, Mansfield College, on long-term loan (another example exhibited)
Condition
This work is in excellent and sound condition overall. There are no apparent condition issues with this work.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
"Present Time is my attempt to engage with the mind/body problem. It is a materialization of embodied mindfulness. The lower form is an enclosed mass, armed like a marine mine; the upper one open with all its limbs free, embracing space. It uses the stasis of sculpture to interrupt the living time of the viewer. The stillness of this materialist proposition invites us to reassess our position in time and space." Antony Gormley