Lot 409
  • 409

Mark Grotjahn

Estimate
200,000 - 300,000 USD
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Description

  • Mark Grotjahn
  • Untitled (Three-Tiered Perspective)
  • signed and dated 1998 on the reverse
  • colored pencil on paper
  • 24 by 19 in. 61 by 48.3 cm.

Provenance

Blum & Poe, Los Angeles
Marian Goodman Gallery, New York
Acquired from the above by the present owner in 2010

Condition

This work is in very good condition overall. There is evidence of light wear to the extreme corners of the sheet, which is only visible upon close inspection in the top right, top left and bottom left. There is a faint crease in the lower right corner. The sheet is hinged intermittently verso to the matte. Framed under Plexiglas.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

Vividly striking and optically alluring, Mark Grotjahn’s Untitled (Three-Tiered Perspective) forms part of the artist’s seminal series of the same name, which radically explores the properties and effects of serial abstraction. Evolved from conceptual perspectival studies with two or more vanishing points, a technique that playfully subverts the canonised Renaissance understanding of one-point perspective, Untitled (Three-Tiered Perspective) brilliantly expresses Grotjahn's highly analytical painting technique, while simultaneously reverberating with the time-consuming labor of its own creation to spellbinding effect.

"I wanted to find a motif that I could experiment with for a while. I did a group of drawings over a period of six to twelve months. The drawing that I chose was one that resembled the three tier perspective, and that is what I went with." Mark Grotjahn