- 285
Tracey Moffatt
Estimate
20,000 - 30,000 GBP
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Description
- Tracey Moffatt
- Something More #1
- c-print
- 101.6 by 132.1 cm. 40 by 52 in.
- Executed in 1989, this work is an AP aside from an edition of 30.
Provenance
Roslyn Oxley9 Gallery, Sydney
Private Collection, Stockholm
Acquired from the above by the present owner
Private Collection, Stockholm
Acquired from the above by the present owner
Exhibited
Vienna, Kunsthalle Wien; Stuttgart, Württembergischer Kunstverein; Bozen, AR/GE KUNST; Bregenz, Vorarlberger Kunstverein, Tracey Moffatt, April - August 1998, pp. 10, 53 and 55, illustrated in colour (ed. no. unknown)
Ulm, Ulmer Museum; Berlin, Neuer Berliner Kunstverein; Freiburg, Kunstverein Freiburg im Marienbad, Tracey Moffatt, 1999, p. 10, illustrated in colour (ed. no. unknown)
Barcelona, Centre Cultural de la Fundació "La Caixa"; Santiago de Compostela, Centro Galego de Arte Contemporánea; Paris, Centre national de la Photographie, Tracey Moffatt, May 1999 - January 2000, pp. 31-32, and cover, illustrated in colour (ed. no. unknown)
Roslyn Harbor, Nassau County Museum of Art, Tracey Moffatt, February - April 2001 (ed. no. unknown)
Ulm, Ulmer Museum; Berlin, Neuer Berliner Kunstverein; Freiburg, Kunstverein Freiburg im Marienbad, Tracey Moffatt, 1999, p. 10, illustrated in colour (ed. no. unknown)
Barcelona, Centre Cultural de la Fundació "La Caixa"; Santiago de Compostela, Centro Galego de Arte Contemporánea; Paris, Centre national de la Photographie, Tracey Moffatt, May 1999 - January 2000, pp. 31-32, and cover, illustrated in colour (ed. no. unknown)
Roslyn Harbor, Nassau County Museum of Art, Tracey Moffatt, February - April 2001 (ed. no. unknown)
Literature
Adrian Martin, "Tracey Moffatt's Australia (A Reconnaissance)", Parkett, No. 53, 1998, illustrated in colour (ed. no. unknown)
Lourdes Peracaula, Ed., Tracey Moffatt, Barcelona and Paris 1999, p. 32, and cover, illustrated in colour (ed. no. unknown)
Burkhard Riemschneider and Uta Grosenick, Eds., Art at the Turn of the Millennium, Cologne, 1999, p. 394, illustrated in colour (ed. no. unknown)
Brigitte Reinhardt, Ed., Tracey Moffatt. Laudanum, Ostfildern-Ruit, 1999, p. 10, illustrated in colour (ed. no. unknown)
Ned Rifkin, Ed., Chorus of Light: Photographs from the Sir Elton John Collection, New York, 2000, p. 198, illustrated in colour (ed. no. unknown)
Lourdes Peracaula, Ed., Tracey Moffatt, Barcelona and Paris 1999, p. 32, and cover, illustrated in colour (ed. no. unknown)
Burkhard Riemschneider and Uta Grosenick, Eds., Art at the Turn of the Millennium, Cologne, 1999, p. 394, illustrated in colour (ed. no. unknown)
Brigitte Reinhardt, Ed., Tracey Moffatt. Laudanum, Ostfildern-Ruit, 1999, p. 10, illustrated in colour (ed. no. unknown)
Ned Rifkin, Ed., Chorus of Light: Photographs from the Sir Elton John Collection, New York, 2000, p. 198, illustrated in colour (ed. no. unknown)
Condition
Colour:
The colours in the catalogue illustration are fairly accurate although the overall tonality is much brighter and more vibrant in the original.
Condition:
This work is in very good condition. The sheet is held verso by the backing board.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."