Lot 264
  • 264

John Craxton, R.A.

Estimate
12,000 - 18,000 GBP
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Description

  • John Craxton, R.A.
  • Wild Creton Goat
  • signed and dated October 50.
  • oil on canvas
  • 25 by 31cm.; 10 1/4 by 12 1/4 in.

Provenance

Sir Clifford Norton, K.C.M.G., C.V.O., and thence by descent
Leicester Galleries, London, where purchased by Miss Barley Alison, 1951
Sale, Christie's London, 25th November 1993, lot 3, where acquired by David Bowie

Exhibited

London, Leicester Galleries,  Exhibition of Works by John Craxton, December 1951, cat. no.22.

Condition

The canvas is lined. The impasto elements are slightly flattened. There is an Artist's pinhole along the upper edge. There are a few scattered specks off small loss along the extreme edges.There are a very few very minor and fine scattered lines of craquelure. Inspection under ultraviolet light reveals and uneven layer of varnish, which makes the painted surface difficult to read, re-touching to all four corners and further retouching to the extreme edges. Subject to the above the work is in good overall condition. The work is unframed. Please telephone the department on +44 (0) 207 293 6424 if you have any questions regarding the present work.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

We are grateful to Ian Collins for his kind assistance with the cataloguing of the present work.
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