- 39
Jean Tinguely
Description
- Jean Tinguely
- Proposition pour K (Proposal for K)
- bent iron, bicycle seat, massage vibrator 110V
Provenance
Collection of Kaido Hideo, Tokyo
Private Collection, Asia
Exhibited
Tokyo, Minami Gallery, Selection of 20th Century Art '75 Minami, 1975, unpaginated
Literature
Condition
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NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
In the first half of the 1960s, his work focused mostly upon his practice on machines composed of found-objects in motion, such as Le ballet des pauvres, 1961 (The ballet of the poor, Basel, Tinguely Museum). He ingeniously combines the legacy of Marcel Duchamp, through use of the 'ready-mades', to exude a raw and industrial aesthetic through materiality. Tinguely forces the viewer to reconsider the function of everyday objects, reflecting not only upon their daily usage but also their internal consciousness.
In 1963, date of the present work, Tinguely started using thick black paint to hide and unify different elements within the sculpture, possibly his reaction to the direction other artistic movements were taking in both Europe and the United States at that time. In ‘Nouveau Réalisme’ but also ‘Pop Art’ the random object triumphs in every work created as the artists demonstrate their interest for the daily life. However the use of object in art becomes therefore too common and may explain why Tinguely chooses to present his works made of assembled elements in a different way. Proposition for K is therefore one of the last sculptures of this time to still explicitly show the various found objects it is made of.
Jean Tinguely’ work is represented in public collections at MOMA, TATE Modern, the George Pompidou Centre and the Tinguely Museum in Basel.