Lot 214
  • 214

A European gentleman, attributable to Muhammad Sadiq, Persia, late-Zand/early-Qajar, late 18th/early 19th century

Estimate
15,000 - 25,000 GBP
bidding is closed

Description

  • Oil on canvas
oil on canvas, framed

Literature

The present painting formed part of a lecture given by Dr Eleanor Sims at the Qajar conference at the Brunei Gallery, School of Oriental and African Studies, London, September 1999. 

Condition

Condition generally good, horizontal crease on middle of painting, re-lined, some patches of over-painting to external edges, some craquelure to paint, mounted in frame and re-mounted in large gold frame, as viewed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

The present work represents an interesting amalgamation of European and Persian painting techniques. Although a European dandy is depicted, his costume comprises Persianate features such as the pearled-tassels as epaulettes and the waistband tied in the oriental manner. Stylistically, this painting can be attributed to the eighteenth-century artist Muhammad Sadiq, known for his delicate facial features, including cherry lips and languid eyes, a landscape background and a room rendered in the European manner, with mottled walls representing marble. A number of his works were formerly in the Amery collection, now in the Negaristan Museum, Tehran (Falk 1972, nos.4-7).