- 8
Giuseppe Capogrossi
Estimate
80,000 - 120,000 EUR
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Description
- Giuseppe Capogrossi
- Superficie 162
- firmato, intitolato e datato 53 sul retro
- olio su tela
- cm 80,8x65
Provenance
Galleria Molino, Roma
Galleria La Nuova Città, Brescia
Galleria del Naviglio, Milano
Galerie Im Erker, St. Gallen
Galleria d'Arte dei Mille, Bergamo
Ivi acquistato dalla famiglia del presente proprietario negli anni Settanta
Galleria La Nuova Città, Brescia
Galleria del Naviglio, Milano
Galerie Im Erker, St. Gallen
Galleria d'Arte dei Mille, Bergamo
Ivi acquistato dalla famiglia del presente proprietario negli anni Settanta
Exhibited
Parigi, Galerie Rive Gauche, R. A. Augustinci presente vingt-deux peintures de Capogrossi, 1956, n. 10
Berlino, Fünf italienische maler der Galleria La Bussola, Turin und Rom, 1957
Wuppertal, Städtisches Museum, Fünf Italianische maler, 1957
Torino, Palazzo Chiablese, Società promotrice delle Belle Arti, 115a Esposizione, 1958, n. 331
St Gallen, Galerie Im Erker, Germalde und Gouaches, 1965, n. 2
Berlino, Fünf italienische maler der Galleria La Bussola, Turin und Rom, 1957
Wuppertal, Städtisches Museum, Fünf Italianische maler, 1957
Torino, Palazzo Chiablese, Società promotrice delle Belle Arti, 115a Esposizione, 1958, n. 331
St Gallen, Galerie Im Erker, Germalde und Gouaches, 1965, n. 2
Literature
Agnoldomenico Pica, Giuseppe Capogrossi, in La Biennale di Venezia, n. 27, marzo 1956, p. 22 e 23, illustrato
Giulio Carlo Argan, Capogrossi, Roma 1967, p. 153, n. 137, illustrato (data di esecuzione indicata: 1954)
Giulio Carlo Argan, Capogrossi, Roma 1967, p. 153, n. 137, illustrato (data di esecuzione indicata: 1954)
Condition
There is some craquelure visible in the catalogue illustration due to the drying process of the paint layer upper right and lower left. There are pin-holes by the corners. There are tiny paint losses by the lower right corner and to the center of the lower edge. The painting has been relined. Under UV light is visible a retouching due to an old restore by the lower central area of the canvas.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
L'opera è accompagnata da attestato di libera circolazione
An export licence is available for this lot