- 30
Jacques Lipchitz
Estimate
15,000 - 20,000 EUR
bidding is closed
Description
- Jacques Lipchitz
- Reclining figure with guitar
- numéroté 4/7 et inscrit Georges Rudier Fondeur Paris
- bronze
- longueur : 24,5 cm ; 9 5/8 in.
Provenance
Succession de l'artiste
Vente : Sotheby's Olympia, 23 mars 2006, lot 247
Acquis lors de cette vente par le propriétaire actuel
Vente : Sotheby's Olympia, 23 mars 2006, lot 247
Acquis lors de cette vente par le propriétaire actuel
Literature
H. Harvard Arnason, Jacques Lipchitz: sketches in bronze, Londres, 1969, no. 151, un autre exemplaire reproduit p. 44
Marlborough Gallery Inc., Jacques Lipchitz, Small Sculptures, Maquettes and Drawings 1915-1972, 1979, no. 6, un autre exemplaire reproduit p. 7
Alan G. Wilkinson, Jacques Lipchitz: A Life in sculpture, Toronto, 1989, no. 151, un autre exemplaire reproduit p. 97
Galería Marlborough, Esculturas, 1913-1972, Madrid, 1993, no. 9, un autre exemplaire reproduit p. 21
Alan G. Wilkinson, The sculpture of Jacques Lipchitz. A catalogue raisonné, The Paris years 1910-1940, vol. I, Londres, 1996, no. 151, l'exemplaire conservé à l'Israël Museum de Jérusalem reproduit p. 65
Marlborough Gallery, Jacques Lipchitz: sculpture 1910-1940: the Paris years, New York, 1996, no. 28, un autre exemplaire reproduit p. 26
Marlborough Gallery Inc., Jacques Lipchitz, Small Sculptures, Maquettes and Drawings 1915-1972, 1979, no. 6, un autre exemplaire reproduit p. 7
Alan G. Wilkinson, Jacques Lipchitz: A Life in sculpture, Toronto, 1989, no. 151, un autre exemplaire reproduit p. 97
Galería Marlborough, Esculturas, 1913-1972, Madrid, 1993, no. 9, un autre exemplaire reproduit p. 21
Alan G. Wilkinson, The sculpture of Jacques Lipchitz. A catalogue raisonné, The Paris years 1910-1940, vol. I, Londres, 1996, no. 151, l'exemplaire conservé à l'Israël Museum de Jérusalem reproduit p. 65
Marlborough Gallery, Jacques Lipchitz: sculpture 1910-1940: the Paris years, New York, 1996, no. 28, un autre exemplaire reproduit p. 26
Condition
The bronze has a golden brown patina. There are a few faint surface scratches and some light wear to the patina, predominately to the outer edges. There are a few minor spots of verdegris in places and some slight surface dust to the crevices. This work is in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
numbered '4/7' and inscribed 'Georges Rudier Fondeur Paris'; bronze. Conceived in 1923 in an edition of 7.