- 51
Frederic Stanley
Estimate
12,000 - 18,000 USD
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Description
- Frederic Stanley
- The Soapbox Wreck
- signed Frederic Stanley - (lower right)
- oil on canvas
- 35 3/4 by 28 inches
- (90.8 by 71.1 cm)
- Painted circa 1924.
Provenance
Private Collection, Idaho (acquired directly from the artist)
By descent from the above to the present owner
By descent from the above to the present owner
Condition
Oil on canvas, canvas is not lined. Surface: In good condition aside from scattered areas of loss and associated cupping, stretcher marks, craquelure, and surface dirt. UNDER UV: A few scattered dots of inpainting and an uneven varnish which fluoresces green.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
This work was illustrated on the cover of the Saturday Evening Post on 2 February, 1924.