Lot 81
  • 81

Charles Marion Russell 1864 - 1926

Estimate
300,000 - 500,000 USD
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Description

  • Charles Marion Russell
  • Indians Traveling on Travois
  • signed CMRussell with the artist's skull device and dated 1903 (lower right)
  • watercolor and gouache on board
  • 7 3/4 by 13 3/4 inches
  • (19.7 by 34.9 cm)

Provenance

Isabel Russell Wenneis (the artist's niece)
Private Collection, Fullerton, California (by descent; sold: Sotheby's, New York, May 22, 1996, lot 103, illustrated)
Acquired by the present owner at the above sale

Exhibited

Phoenix, Arizona, Phoenix Art Museum, n.d. (on loan)
Santa Ana, California, The Bowers Museum of Cultural Art, n.d. (on loan)

Condition

This work is in very good condition. The colors are fresh. The sheet is slightly darkened and there is minor mat burn at the edges. There is some staining from a former acidic matting on the reverse.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

By the time Charles Marion Russell painted Indians Traveling on Travois in 1903, he was reaching the peak of his technical skill. In this work, which was a Christmas present for his young niece Isabel Russell Wenneis, a group of Native Americans on horseback approach the banks of a river. One member of the group shades his eyes to peer out to the horizon. In tow behind the travois, Russell suggests the outlines of additional members of the tribe. Their silhouettes appear like apparitions, fading both into and out of the rugged western landscape. The ambiguity of these figures and the surrounding topography imply the uncertain fate of the Old West and the looming encroachment of modern industry and development. In a copy of a letter attached to the backing, the artist’s niece Isabel writes: “This picture of Indians travelling with their belongings on travois was painted for me when I was a child by my uncle, Charles Marion Russell, who sent it in a Christmas box with gifts for the entire family../Isabel Russell Wenneis/January 5, 1968.

Russell first traveled to the West in 1880 when his family sent him on a trip to Montana for his sixteenth birthday. While his parents viewed the trip as an opportunity to motivate their son and his academic pursuits, Russell saw it as a chance to fulfill his dream of associating with the burgeoning frontier. His arrival coincided with the western cattle boom and after a two-year apprenticeship Russell was working as a horse wrangler on the drives. According to Peter Hassrick, "The earliest Montana remembrances of Charlie were of a boy known as a 'Kid Russell,' who, along with being rough and ready, was known to carry art supplies in an old sock and who impressed associates and passersby with his abilities at painting and sculpture" (Charles Russell, New York, 1989, p. 21). While in Montana, Russell frequently confronted local Indians whose territories were receding as a result of the cattle business, railroads, and the increasing numbers of settlers. Russell, who was sympathetic to the fate of the Native Americans, developed a deep understanding of their way of life, which he sought to capture in works such as Indians Traveling on Travois.