Frederic, Lord Leighton

Overall, the condition of the bronze is very good, with minor dirt and wear to the surface consistent with age. The attractive light-brown undertones of the patina are visible at the torso. There is minor wear to some of the high points and edges. The original core material is visible inside the bronze at the underside, consistent with the casting technique.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The Sluggard is one of the defining sculptures of the 19th-century, and one of the few sculptural works created by Lord Leighton, the father of the New Sculpture movement. Balancing idealism with realism, this perfect depiction of the male nude was published initially by Arthur L. Collie and cast by the Singer Foundry until the early 20th century, when the rights passed solely to the Singer Foundry (by 1914). The original clay sketch was first exhibited at the Royal Academy in 1886, and a lifesize bronze version is in the Tate collections (inv. no. N01752).