Sirio Tofanari

Overall, the condition of the bronze is good, with minor dirt and wear to the surface consistent with age. There is particular dirt to the crevices. There is some minor greening to the bronze, in particular to the bear's head on the proper right side of the face and to the area in between her hind legs. There are some very minor lacunae consistent with the casting technique. There is a slight fissure at the front of the base.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This enchanting and affectionate group of a mother bear and her cub epitomises the style of sculpture that Sirio Tofanari was most famous for: playful groups of animals and their young. Although undoubtedly influenced by the animalier sculptors of the 19th century, Tofanari approached his subject from a more modernist, elegantly stylised, background. Born in Florence, Tofanari was self taught, and lived and exhibited in a multitude of cities, including Milan, London, Paris, Buenos Aires and Rio de Janeiro.

RELATED LITERATURE
V. Vicario, Gli Scultori Italiani dal Neoclassicismo al Liberty, Lodi, 1994, p. 1037-8