- 78
Patriz Huber and Anton Huber
Estimate
30,000 - 50,000 GBP
bidding is closed
Description
- Pair of Cabinets, circa 1902
- lemon wood, glass, bronze
- each: 220 x 50 x 44 cm. (86 5/8 x 19 3/4 x 17 1/4 in.)
executed by Richard Kümmel, Berlin
lemonwood, glass, silvered bronze
lemonwood, glass, silvered bronze
Provenance
Bredow Antiquitäten, Berlin
Private collection, Germany
Acquired from the above by the present owner, 2005
Private collection, Germany
Acquired from the above by the present owner, 2005
Exhibited
Weimar, Neues Museum, Leidenschaft, Funktion und Schönheit: Henry van de Velde und sein Beitrag zur europäischen Moderne, 24 March - 23 June, 2013
Literature
Leo Natch, Turin 1902, exh. cat., Berlin, 1902, pl. 15 for a period illustration of one cabinet
Deutsche Kunst und Dekoration, Darmstadt, vol. XI, October 1902 - March 1903, p. 67 for a period illustration
Ditta Ahmadi, Orangerie '84: Deutscher Kunsthandel im Schloß Charlottenburg, exh. cat., 13 - 23 September 1984, Berlin, 1984, p. 183, cat. no. 12.2, illustrated
Werner Adriaenssens et al, Roberto Polo: The Eye, London, 2011, p. 440, illustrated
Thomas Föhl, Leidenschaft, Funktion und Schönheit: Henry van de Velde und sein Beitrag zur europäischen Moderne, exh. cat., 24 March - 23 June 2013, Weimar, 2013, p. 66, cat. no. 62, illustrated, p. 436
Eric Jansen, Nouveaux Cabinets d'Amateurs, Paris, 2015, p. 232, illustrated
Deutsche Kunst und Dekoration, Darmstadt, vol. XI, October 1902 - March 1903, p. 67 for a period illustration
Ditta Ahmadi, Orangerie '84: Deutscher Kunsthandel im Schloß Charlottenburg, exh. cat., 13 - 23 September 1984, Berlin, 1984, p. 183, cat. no. 12.2, illustrated
Werner Adriaenssens et al, Roberto Polo: The Eye, London, 2011, p. 440, illustrated
Thomas Föhl, Leidenschaft, Funktion und Schönheit: Henry van de Velde und sein Beitrag zur europäischen Moderne, exh. cat., 24 March - 23 June 2013, Weimar, 2013, p. 66, cat. no. 62, illustrated, p. 436
Eric Jansen, Nouveaux Cabinets d'Amateurs, Paris, 2015, p. 232, illustrated
Condition
Overall very good condition consistent with age and gentle use. Very faint hairlines to the panels directly below the side windows of each cabinet. A minor split between one set of shelf mounting holes to the interior of one cabinet. Minor oxidation to the escutcheon plates. The glass shelves in excellent condition and one key is provided.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
An identical pair of cabinets to the offered lot were exhibited at the Prima Esposizione Internazionale d'Arte Decorativa Moderna, Turin, 1902. At the time of writing no other pair is known to have been produced.