Jacques Auguste Fauginet

bronze, dark brown-green and mid-brown patina

D. Alcouffe, A. Dion-Tenenbaum, P. Ennès (eds.), Une âge d'or des arts décoratifs 1814-1848, exh. cat. Galeries nationales du Grand Palais, Paris, 1991, pp. 307-308 (for a discussion of the model)

Overall the condition of the bronze is very good, with minor dirt and wear to the surface consistent with age including dust in the crevices. There is some rubbing to the patina at the high points, which adds to the attractive colourful effect of the patina. A stable original casting joint is slightly visible at the man's proper right upper arm.The components of the bronze are cast separately and further stable joints are slightly visible in some other areas, including below the man's proper right leg, around the lion, and across the back. A small section of the branches in front of the lion's abdomen is very slightly loose. There are a few minor lacunae, notably to the rockwork at the back. There are a few light scratches, including to the man's abdomen. The bottom section of the man's spear screws on.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Fauginet was at the forefront of Romantic sculpture. He presented groups of this subject in plaster and bronze at the Salon of 1836, around the same time as Barye designed his famous surtout-de-table for the Duc d'Orleans. The juxtaposition of man and animal in a tense moment is typical of the movement.