Lot 142
  • 142

G. Collinson of Doncaster

Estimate
8,000 - 12,000 GBP
bidding is closed

Description

  • Armchair, dated 1851
  • inscribed Trougniou Ancien Facteur 1851
  • fruitwood, tapestry
  • 150 cm. (59 in.)
oak, machine woven fabric

Provenance

Sotheby's, Paris, 5 December 2001, lot 493
Acquired from the above by the present owner

Literature

The Great Exhibition: A facsimile of the illustrated catalogue of London's 1851 Crystal Place Exposition, London, 1995, p. 310, the model illustrated
Bruce M. Newman and Alastair Duncan, Fantasy Furniture Grotto Horn & Antler Black Forest Mythology, New York, 1989 for a carved foliate armchair by Trougniou

Condition

Overall in good condition. The chair is secure and sturdy. There is some minor movement along lines of construction as to be expected, notably to the back. Textile seat covering is in very good condition. With some minor old marks and scratches. This chair is ready to place.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

It is interesting to note the use of naturalistic and organic decorative elements in this chair as with the following lots 143, 145 and 146. The stylistic motifs employed in these pieces from as early as 1850 foreshadow the Art Nouveau movement of the late 19th century. Collinson, Guéret and Tahan can all be seen as early progenitors of this explosive movement using the natural environment to inspire their work.