- 2
西周 玉鹿一組兩件
估價
30,000 - 50,000 EUR
Log in to view results
招標截止
描述
- Jade
chaque plaque fine et plate sculptée en forme d'un daim aux larges bois, l'un allongé la tête tournée vers l'arrière, l'autre penché les pattes avant repliées sous lui, de simples lignes sinueuses figurant les yeux et les contours du corps, le plus grand percé d'un petit trou pour le suspendre, la pierre presque calcifiée d'une jolie teinte chamois ponctuée de rouge au doux poli satiné, D.W. 31/132 and 2213 (2)
來源
洛陽出土(傳)
D.W 31/132 : 盧芹齋,巴黎
D.W 31/132 : 盧芹齋,巴黎
展覽
《中國古代藝術品》,橘園美術館,巴黎,1937年,編號 108
出版
D.W 31.132:
保罗·伯希和,《Jades Archaïques de la Chine appartenant à M.C T. Loo》,巴黎,1925年,圖版 XXX.1
Georges Salles,《中國古代藝術品》,巴黎,1937年,編號 108 (無圖)
保罗·伯希和,《Jades Archaïques de la Chine appartenant à M.C T. Loo》,巴黎,1925年,圖版 XXX.1
Georges Salles,《中國古代藝術品》,巴黎,1937年,編號 108 (無圖)
Condition
Both deer pendants are in overall very good condition. The deer on the left in the catalogue illustration has a tiny old chip to the rear of the front leg. There are traces of cinnabar and earth in the recessed areas of the carved lines, particularly on one side, and on the thin edges of the carving. There are traces of blue on the edges of the piece. The hole is drilled from one side. The inventory number is inscribed in black ink beneath the belly. The deer on the right in the catalogue illustration has old chips to the tips of three antlers. One side of the jade carving is more calcified and the surface a little rougher. There are traces of blue around the edges of the carving. The small hole between the antlers is drilled from one side and filled with earth. The inventory number is inscribed in black below the front leg.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
Jessica Rawson notes that small carvings in the shape of animals form one of the principal categories of Shang and early Western Zhou jades, made in large numbers and in a variety of forms, see Jessica Rawson, Chinese Jade from the Neolithic to the Qing, London, 1995, p. 205. Small pendants in the form of stags or deer appear to be popular in the early and mid-Western Zhou period as numerous finds illustrate, compare, for example, similar deer-shaped pendants discovered at Rujiazhuang, Baoji, Shaanxi, published in Baoji Yu guo mudi, Beijing, 1988, vol. 2, pls. 183.1-4 and 184.1-4.
The two jade deers from the David-Weill Collection are depicted in a crouching position, one of them with its head turned and glancing back. Rawson suggests that this pose may have been influenced by designs from Western Asia, see Rawson, ibid., p. 232.
The two jade deers from the David-Weill Collection are depicted in a crouching position, one of them with its head turned and glancing back. Rawson suggests that this pose may have been influenced by designs from Western Asia, see Rawson, ibid., p. 232.