商晚 / 西周初 青銅獸面冠飾

composé de trois parties, les deux plaques latérales ajourées sculptées en bas-relief chacune d'une corne, un oeil, une oreille et une mandibule soulignés de rainures curvilignes, la plaque nasale est parcourue d'une arête en léger relief jusqu'à un losange central puis un enroulement figurant les narines, deux trous de fixation dans chacun des quatre angles, le bronze doté d'une riche patine verte, D.W 36/52: 1, 2, 3 (3)

The x-ray reveals that there is a ca. 2cm long break extending from the upper rim around the hole at the top of the central part into and crossing a ca. 6cm long horizontal crack that runs from the left hand side into the top of the central part, with a ca. 1x1cm triangular piece broken off and reattached. There is a ca. 2x1cm large hole to the left of the central part with an associated crack extending into the rim (visible in the catalogue illustration). There is a ca. 1,5cm long crack extending from the rim into the side on the upper right hand side of the mask. The surface is covered with green patina, the bronze patinated to a reddish tone, more saturated than the catalogue illustration suggests. There are extensive traces of some light brownish matter attached to the surface on the back of the mask. The number D.W. 36/52 is inscribed in white on the upper part of the central element.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The present bronze mask is made in three separate parts that would have been attached to a leather surface as indicated by the small perforations on the sides and corners, covering the front and sides of the horse's head. It is unusual and quite possibly unique as no other comparable piece is recorded.

The mask is cast in the form of a large mythical beast head known as a taotie, a term given in later texts. While it displays some naturalistic human features such as eyes, a nose with flaring nostrils, ears and a mouth, the most striking features comprise a pair of large curved horns and a set of prominent pointed fangs. The mask is of unusually large size which explains why it was made in three parts. 

This bronze taotie mask fitting takes its form and detail from taotie motifs cast on Shang and early Western Zhou ritual vessels. As Jessica Rawson has noted, the features of the taotie motif seem to vary depending on the size, shape and proportions of the bronze vessel, compare Jessica Rawson, Mysteries of Ancient China. New Discoveries from the Early Dynasties, London, 1996, pp. 15-16. Most often, the individual features of the taotie are disconnected and can easily be moved around although they are always centered on the often prominent nose. 

Stylistically, this impressive bronze taotie mask with its angular features is comparabale to taotie motifs depicted on vessels of rectangular or square form, such as the taotie motif found on an archaic bronze fang ding formerly in the van Heusden Collection, illustrated in Willem van Heusden, Ancient Chinese Bronzes of the Shang and Chou Dynasties. An illustrated Catalogue of the van Heusden Collection with a historical Introduction, Tokyo, 1952, pls. XVIII and XIX.  

Few bronze masks of animal or taotie shape are known. Several animal masks with taotie features of flat shape and cast in a single piece have been found in Sanxingdui, Guanghan County, Sichuan, dated to around 1200-1000 BC, compare Rawson, ibid., pp. 69-70, no. 25. A more closely related mask also from the David-Weill Collection, was exhibited in the International Exhibition of Chinese Art in London in 1935, illustrated in Catalogue of the International Exhibition of Chinese Art, London, 1935-1936, cat. no. 146.