ITALY

MANG, M. Rome. [c.1870s], oblong folio (317 x 405mm.), 37 albumen prints (240 x 325mm., or the reverse), on thick paper, recto only, some wear, fading and spotting, disbound--ALINARI, and others. Florence, Pisa, Naples and Pompeii. [1870s-1880s], large folio (532 x 355mm.), 117 albumen prints (average 195 x 255mm., or the reverse), mounted recto and verso, black half morocco gilt, some fading and wear, spine slightly worn--RICCI, L. Ravenna. [c.1880], 34 loose albumen prints (230 x 190mm.), each mounted on card, 14 with printed Italian captions on the reverse, half calf portfolio, minor spotting or fading, portfolio slightly worn--[ANON.] Rome and environs. [1870s], 4to (350 x 285mm.), 134 albumen prints (various sizes), mounted recto and verso, crimson morocco gilt, some spotting and fading, covers detached, spine worn--[ANON.] A pair of photographs: Taormina and a temple (Segesta?), each approximately 290 x 380mm., on card, faded

Condition is described in the main body of the cataloguing, where appropriate.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."