- 312
Robert Motherwell
Estimate
7,000 - 10,000 USD
bidding is closed
Description
- Robert Motherwell
- Easter Day 1979; America-La France Variations III; Calligraphy I (Walker Art Center 244, 331 & 490)
- lithograph
- the largest sheet: 1375 by 1022 mm 54 1/8 by 40 1/4 in
Easter Day 1979: lithograph, 1980, initialed in blue pencil, inscribed 'OK to print 6 Nov 79', presumably the final proof before the numbered edition of 75 (total edition includes 18 artist's proofs), on Lana paper, published by Tyler Graphics Ltd., framed
image: 867 by 584 mm 34 1/8 by 23 in
sheet: 991 by 770 mm 39 by 30 1/4 in
America-La France Variations III: lithograph printed in colors and collage, 1984, signed in pencil, inscribed 'pres proof', from the numbered edition of 70 (total edition includes 20 artist's proofs), on Arches cover paper, with the blindstamp of the publisher, Tyler Graphics Ltd., framed
sheet: 1220 by 780 mm 48 by 30 3/4 in
Calligraphy I: lithograph printed in colors, 1989, signed in pencil, inscribed 'presentation proof' from the numbered edition of 50 plus 16 artist's proofs, on Somerset mould-made paper, with the blindstamp of the publisher, Tyler Graphics Ltd., framed
image: 1225 by 783 mm 48 1/4 by 30 3/4 in
sheet: 1375 by 1022 mm 54 1/8 by 40 1/4 in
image: 867 by 584 mm 34 1/8 by 23 in
sheet: 991 by 770 mm 39 by 30 1/4 in
America-La France Variations III: lithograph printed in colors and collage, 1984, signed in pencil, inscribed 'pres proof', from the numbered edition of 70 (total edition includes 20 artist's proofs), on Arches cover paper, with the blindstamp of the publisher, Tyler Graphics Ltd., framed
sheet: 1220 by 780 mm 48 by 30 3/4 in
Calligraphy I: lithograph printed in colors, 1989, signed in pencil, inscribed 'presentation proof' from the numbered edition of 50 plus 16 artist's proofs, on Somerset mould-made paper, with the blindstamp of the publisher, Tyler Graphics Ltd., framed
image: 1225 by 783 mm 48 1/4 by 30 3/4 in
sheet: 1375 by 1022 mm 54 1/8 by 40 1/4 in
Condition
Easter Day 1979: The print is in good condition, the full sheet. Notes to the printer in the margins, possibly. A diagonal tear (22 mm) in the sheet at the bottom center. An inconspicuous horizontal tear (20 mm) in the top right corner. Unobtrusive printer's crease at top sheet edge at right.
America-La France Variations III: The print is in good condition, the full sheet, printed to the edges. Inconspicuous tear at bottom center (10 mm). (Remains of two prior hinges along lower sheet edge of verso, one with an associated light surface abrasion).
Calligraphy I: The print is in good condition, the full sheet.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.