French, Limoges, 16th century

private collection, Apeldoorn

Overall the condition of the enamel is good with some wear and dirt to the surface consistent with age. There is stable crizzling to areas of the green enamel of the grass and mountain. There is some stable craquelure to the turqoise of the tomb near Christ's hand. There are small areas of restoration to the upper and lower right corners. There is some slight pitting around the right half of the plaque. The gilding on the frame is worn and scratched throughout. Otherwise the condition of the frame is excellent. It can be suspended and has a stand.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

As is so often the case with painted enamels representing scenes from the life of Christ, this Entombment is inspired by a woodcut from Albrecht Dürer's Small Passion.